Seduction In Shadows

I approached this series with the goal of stripping away narrative in order to observe the body through its physical responses — to light, moisture, and proximity. I was interested in how closely framed images could make the viewer more aware of texture, shape, and movement on the skin.

By focusing on surface reactions — the way water clings, the way light defines tension — I wanted the images to speak less about identity and more about the body's visual language. Not symbolic, not abstract — just fully present.