I C E & S K I N

In this series, my goal was to take the body out of its usual context and work with it as a visual material — not as identity, but as abstract surface.

I approached the body as if I were building a landscape. The focus was on shape, texture, elevation — the natural structure of skin under light. By using tight framing, backlighting, and moisture, I emphasized the physical surface without anchoring it to a person.

There are no markers of identity, no storytelling elements. Just a study of form. I wanted each frame to feel like a fragment of something larger — not immediately readable, but full of detail.

I wasn’t interested in retouching or creating something polished. I wanted the raw look of skin to stay untouched. The camera became a tool not for documenting the body, but for reshaping how we can interact with it visually — through abstraction, rhythm, and structure.

This work is about exploring the body through the lens of visual minimalism, building images that exist somewhere between the human and the landscape.