A Wednesday in the Art Museum
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A Wednesday in the Art Museum
"the city that floats—not just on water, but in memory" — someone
Wednesdays carry a special kind of promise — the week is already in full swing, yet there’s still room for unexpected discoveries. This Wednesday, instead of heading to a café or mall, we decided to walk somewhere quieter, yet full of stories. The art museum. It turned out to be a perfect idea.



Our walk there was already a small adventure. Along the way, we passed through a small courtyard, where children were playing around a large mosaic circle embedded in the pavement. It was decorated with zodiac signs, each carefully crafted from bright tiles, like a playful clock. A little girl and a boy stepped into the center of the circle, whispering something, perhaps pretending to cast spells or read the stars. It was like stumbling upon a miniature universe hidden in a city backyard.



Just a few meters farther stood something even more unexpected: sculpted figures covered in colorful mosaic tiles. A group of children and a man were examining them with curiosity, while the walls around seemed alive with mythological scenes — gods, titans, heroes in struggle or triumph. We had wandered into what felt like a sculptural poem, set right in a residential yard. It was part play space, part open-air gallery, proof that creativity doesn’t need a formal museum to live and breathe.


But soon enough, we reached the actual museum. Inside, the change in atmosphere was immediate — cooler, quieter, and filled with the warm tones of framed masterpieces. And then we stepped into the hall of classical paintings.



One room took our breath away. A giant canvas stretched from wall to wall, portraying an ancient Greek ritual. In the center stood a young woman, her body partially veiled, as attendants surrounded her in preparation for a ceremony. Behind her, the crowd gathered, watching in admiration and reverence. It was painted in such vivid, almost theatrical color that the figures seemed ready to step out of the frame. Standing before it was a woman in a powder-blue dress — a modern viewer and ancient muse, both part of the same visual harmony.


Another painting caught my eye — a solemn scene under the moonlight. Priests and priestesses, robed in white, gathered on temple steps in ritual worship. The pale moon hovered silently over a dusky landscape. The frame was styled in ancient Egyptian motifs, adding another layer of immersion. It was peaceful, timeless, and hauntingly beautiful.


One room over, a completely different mood awaited us. A blood-red wall served as the backdrop for a tragic scene. A lifeless body sprawled across marble steps. Grief, shock, dignity — all captured in stillness. A woman in a red cloak looked on, standing tall, almost regal, as if holding back sorrow with pride. Art doesn’t always comfort; sometimes it confronts.


After the silence of the galleries, we stepped back into the sunlit streets. Our last stop was a famous architectural corner of the city — a row of massive stone atlantes holding up a grand portico. These towering male figures, carved in muscular perfection, watched over the street like ancient guardians. Tourists gathered beneath them, taking pictures and selfies, whispering in multiple languages. In the late afternoon light, they looked more alive than ever.
That Wednesday gave us something precious — not just beauty, but a journey through time, through mythology and human emotion, from playful childhood games to the solemn dignity of ancient rituals. The bright colors of world-famous masterpieces, the quiet power of sculpture, and the surprise of finding art even in residential courtyards — it all reminded us that museums are more than buildings. They are gateways.
That,s all for today.
Stand by

Sincerely yours
