Paris Street, Rainy Day
Painted in 1877, Gustave Caillebotte's "Paris Street; Rainy Day" (French: Rue de Paris, temps de pluie) is one of his most famous painting and is a highlight of the Art Institute of Chicago's collection, where it is currently displayed.
The painting is a masterpiece of the Impressionist movement and stands out from other Impressionist works due to its precise, almost photographic style. Caillebotte used sharp lines and a realistic perspective to paint this scene set near the Place de l'Europe. a
It depicts figures dressed in fashionable, late 19th-century attire, with many holding umbrellas.
These photos were taken at the current exhibit at the Art Institute of Chicago titled "Gustave Caillebotte: Painting His World.
This photo shows a preparatory drawing, likely a study for a figure in his famous painting, "Paris Street; Rainy Day." The multiple, disembodied hands surrounding the figure are the artist's quick sketches exploring different positions for the umbrella and hands, showing his process as he worked out the composition. This drawing is a fascinating glimpse into how Caillebotte meticulously planned his famous, seemingly spontaneous, urban scenes.
The drawing is in the collection of the Art Institute of Chicago, the same museum that houses the final painting.
The text describes several studies for the painting titled "Paris Street; Rainy Day" by Gustave Caillebotte. All of the studies were created around the year 1877. They are primarily made with pencil on paper,.
The studies focus on isolated figures, such as:
Man Under an Umbrella and Woman Seen from Behind
Two Men Under Their Umbrellas, Crossing Paths
Man Walking Under an Umbrella, Facing Right
Man Under an Umbrella, Facing Forward, and Studies of His Hands
Man Under an Umbrella, Facing Right
Man with Umbrella, Facing Left, and Man Lighting His Pipe Under an Umbrella
The description also notes that Caillebotte created these studies to accurately portray people as they "hustled about with umbrellas" and that he may have been inspired by the medium of photography to capture figures in motion as accurately as possible.


The painting in this photo is "Le Pont de l'Europe" by Gustave Caillebotte.
It was painted in 1876 and depicts a scene on the Pont de l'Europe, a bridge that spans the railway tracks leading to the Gare Saint-Lazare in Paris. The painting is a notable example of Impressionism, but the composition is influenced by photography.
The painting is "Man on a Balcony, Boulevard Haussmann" by Gustave Caillebotte. painted in 1880. This work is another example of Caillebotte's unique approach to Impressionism, blending a loose, Impressionist style in the background with a detailed and solid figure in the foreground. The painting depicts a man, looking out over a bustling Parisian boulevard from a balcony. The composition uses a strong diagonal line to create depth.


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All photos are from my family albums and information is from the Art Institute of Chicago.

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Thanks so much!
Thanks Mick!
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I love the way you've captured the mood!
Even now, I am sitting by the window of my room and it is raining lightly. After going to the art gallery, seeing these pictures and finding out their history, our knowledge has always increased a lot, and after your post, I have also come to know many special things.
Stunning! The first painting is truly a masterpiece. If you had not told us, it would have been difficult to know that this is a painting and not a photograph.
There was little market for Impressionist art but from what I understood he inherited money and didn't need to sell his paintings to survive like many of his friends did, so most of his work remained in the families possession until after he had died. He used his money to provide financial support for many struggling friends including more than 70 works by artists such as Degas, Renoir, Cézanne, Manet, Monet, Morisot, Pissarro, and Sisley and his private collection was impressive.
So impressive! At first glance it really looks like a photograph! That's magnum opus!🤗❤️🫰
The light painting style of ancient civilizations really opens the heart and creates interest in seeing something old with a new vibe. This extraordinary memory of the 19th century umbrella and this magnificent view of the European city with the extraordinary memorial pillar and a place like a memorial museum that really gives the heart the peace of seeing the old as new. Thank you for sharing. The visitors are enjoying these extraordinary light paintings with ease.
This photo gave me the impression that the painting has a life of its own, and that its characters are about to leap out of the frame.
Greetings, Melinda, this painter’s work is truly fascinating.
I have more photos of some of his portraits to share in another post. I hope you will enjoy them, too!
What a beautiful detailed write-up.
I really like how you didn’t just describe Paris Street, Rainy Day but also gave us a peek into Caillebotte’s process with the studies and sketches.
It makes the final painting feel even more alive, knowing the thought and care behind every umbrella and gesture.
Thanks for sharing such a rich glimpse into both the art and the artist.
It looks like a photograph, one wouldn't know it's a painting. The level of detail in this painting is stunning.
He did take his art seriously, didn't he?
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