No less consulting my own taste than the manners of the age, I endeavoured, while I painted it in all its fallen and degraded aspects, to banish from the lips of the lowest character I introduced, any expression that could by possibility offend, and rather to lead to the unavoidable inference that its existence was of the most debased and vicious kind than to prove it elaborately by words and deeds. In the case of the girl in particular I kept this intention constantly in view. Whether it is apparent in the narrative, and how it is executed, I leave my readers to determine.

It has been observed of this girl that her devotion to the brutal housebreaker does not seem natural, and it has been objected to Sikes in the same breath—with some inconsistency, as I venture to think—that he is surely overdrawn, because in him there would appear to be none of those redeeming traits which are objected to as unnatural in his mistress. Of the latter objection I will merely say that I fear there are in the world some insensible and callous natures that do become, at last, utterly and irredeemably bad. But whether this be so or not, of one thing I am certain: that there are such men as Sikes, who, being closely followed through the same space of time and through the same current of circumstances, would not give, by one look or action of a moment, the faintest indication of a better nature. Whether every gentler human feeling is dead within such bosoms, or the proper chord to strike has rusted and is hard to find, I do not know; but that the fact is so, I am sure.

It is useless to discuss whether the conduct and character of the girl seems natural or unnatural, probable or improbable, right or wrong. It is true. Every man who has watched these melancholy shades of life knows it to be so. Suggested to my mind long ago—long before I dealt in fiction—by what I often saw and read of in actual life around me, I have for years tracked it through many profligate and noisome ways, and found it still the same. From the first introduction of that poor wretch to her laying her bloody head upon the robber’s breast, there is not one word exaggerated or overwrought. It is emphatically God’s truth, for it is the truth. He leaves in such depraved and miserable breasts, the hope yet lingering behind, the last fair drop of water at the bottom of the dried-up weed-choked well. It involves the best and worst shades of our common nature, much of its ugliest hues and something of its most beautiful ; it is a contradiction, an anomaly, an apparent impossibility, but it is a truth. I am glad to have had it doubted, for in that circumstance I find a sufficient assurance that it needed to be told.

DEVONSHIRE TERRACE

April,1841

[Literature] Charles Dickens: Oliver Twist #3/214