[ENG-SPN] Of Caves, Myths, Legends, and Traditions / De cuevas, mitos, leyendas y tradiciones
Beyond Plato and his famous myth, there is a whole fascinating universe that revolves around this symbolic yet metaphorical inner labyrinth, where the cavern constitutes the primordial center, guarded by no less metaphorical minotaurs. Minotaurs, resilient in legends, tales, and traditions, have ended up becoming archetypes associated, above all, with certain rural areas, becoming part of their most familiar traditions.
In Asturias, for example, caves and caverns are inevitably associated with the primordial figure of a mythological being, the Cuélebre, a monumental dragon or serpent, guardian of treasures; tradition, which also coincides with many others existing in northern Europe, one of the most notable being the fabulous Germanic story of Siegfried and the dragon that guarded the monumental treasure of the Nibelungs, a theme which, in addition, was so popular during the Middle Ages that it would also be represented, according to some authors, in some key Romanesque churches on the Camino de Santiago, such as the Navarrese Santa María la Real de Sangüesa and the Burgos Santa María de Siones.
In Castile and León, and more specifically in Soria, coinciding with the spring pilgrimages—ancient fertility festivals, Christianized under the ritual of the blessing of the fields—this curious tradition is confirmed, replacing the figure of the dragon or the serpent with the presence, within their caves, of a curious character, who, under the popular name of Uncle Botas, would represent a kind of Wandering Jew. He, with no known profession or benefice, seems to be predestined to wander from cave to cave, subject to an ancient curse. This tradition is told by the locals, who accompany the excursion to the cave not only with excellent humor, but also with the corresponding well-stocked wineskins of a stately nectar, such as red wine, which, in this area, bears the unavoidable Ribera del Duero designation of origin.
Más allá de Platón y su famoso mito, existe todo un fascinante universo que gira alrededor de este simbólico y a la vez, metafórico laberinto interior, donde la caverna constituye el centro primordial, guardado por unos no menos metafóricos minotauros, que, resilientes en las leyendas, en los cuentos y en las tradiciones, han terminado convirtiéndose en arquetipos asociados, sobre todo, con determinados ámbitos rurales, pasando a formar parte de sus más familiares tradiciones.
En Asturias, por ejemplo, cuevas y cavernas están inevitablemente asociadas a la figura primordial de un ser mitológico, el Cuélebre, dragón o serpiente monumental, custodio de tesoros; tradición, que, además, coincide con muchas otras existentes en el norte de Europa, siendo una de las más destacadas, la fabulosa historia germana de Sigfrido y el dragón que custodiaba el monumental tesoro de los Nibelungos, temática, que, por añadidura, fue tan popular durante la Edad Media, que estaría también representada, según algunos autores, en algunas iglesias románicas clave del Camino de Santiago, como pueden la navarra Santa María la Real de Sangüesa y la burgalesa Santa María de Siones.
En Castilla y León y más concretamente en Soria, coincidiendo con las romerías de primavera –ancestrales fiestas de la fertilidad, cristianizadas bajo el ritual de la bendición de campos- se constata esta curiosa tradición, cambiando la figura del dragón o la serpiente, por la presencia, en el interior de sus cuevas, de un curioso personaje, que, bajo el popular nombre del Tío Botas, representaría una especie de Judío Errante, el cual, sin oficio ni beneficio conocido, parecería estar predestinado a vagar de cueva en cueva, sujeto a una milenaria maldición, tradición que cuentan los vecinos, acompañándose, en la excursión a la cueva, no sólo de un humor excelente, sino también de los correspondientes pellejos bien surtidos de un néctar señorial, como el vino tinto, que, en esta zona, lleva la ineludible denominación de origen de la Ribera del Duero.
NOTICE: Both the text and the accompanying photographs are my exclusive intellectual property and are therefore subject to my Copyright.
AVISO: Tanto el texto, como las fotografías que lo acompañan, son de mi exclusiva propiedad intelectual y por lo tanto, están sujetos a mis Derechos de Autor.
The parallels between the Cuélebre in Asturias and the dragon tales of Northern Europe were especially interesting—it really shows how cultures share common threads in their storytelling.
Exactly. In reality, the figure of the dragon or the great serpent can be said to be a universal myth, spread throughout the world, albeit with some differences: in the East, the dragon represents prosperity, good luck, and kindness; however, in the West, it's the opposite. In fact, Tolkien used it in his works as a true predator: his dragon, Smaug, was murderous, a destroyer of peoples, and above all, greedy. But it's interesting to observe how a myth can be distorted or interpreted differently, even though its roots are the same. Thank you very much for your comment, and best regards.
You explained that so well! 🙌 It’s really fascinating how the same myth can take on such different meanings depending on the culture—like a mirror reflecting the values and fears of each society. The contrast between the Eastern dragon as a symbol of luck and the Western dragon as a symbol of greed and destruction says so much about worldviews. I think that’s what makes myths so timeless—they adapt, yet their essence connects us all. Thanks again for sharing your insights!
https://x.com/lee19389/status/1961547231246668072
#hive #posh